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THEORIES OF LANDSCAPE PAINTING CHIN’GYONGSANSU IN KOREA
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THEORIES OF LANDSCAPE PAINTING CHIN’GYONGSANSU IN KOREA
Annotation
PII
S0131-28120000616-2-
Publication type
Article
Status
Published
Authors
Elena Khokhlova 
Edition
Issue 6
Pages
156-160
Abstract
This article gives an overview of the main theories developed by South Korean art historians since 1970-s on the origins of chin’gyongsansu - “true-view landscape painting of Joseon” of XVIII century. All the theories are combined in two groups. The main points and arguments of the most authoritative art historians in the field of paintings of the late Joseon period were discussed.
Keywords
LANDSCAPE PAINTING, JOSEON, CHIN 'GYONGSANSU, NEO-CONFUCIANISM, CHINESE PICTORIAL TRADITION
Date of publication
01.11.2015
Number of purchasers
1
Views
886
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0.0 (0 votes)
Previous versions
S0131-28120000616-2-1 Дата внесения правок в статью - 06.11.2020
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Additional sources and materials

1. Pak Ynsun. Chingyonsansukhva yongu pipkhandzhok komtkho: [Kriticheskij analiz issledovanij chingyonsansukhva] [Tekst] / Pak Ynsun // Khanguksakhakkhve. 2007. № 28. S. 80. 
 2. Yi Song-Mi. Artistic Tradition and the Depiction of Reality: True-View Landscape Painting of the Choson Dynasty// Ed. Judith G. Smith. Art of Korea. New York, 1998. S. 339-340. 
 3. Khon Sonpkhyo. Khanguk khvekhvasa yongu: [Izuchenie zhivopisi Choson] [Tekst] / Khon Sonpkhyo. Seul:Munehchkhul'pansa, 1999. 
 4. Ko Yonkhi. Chosonsideh sansukhva: [Pejzazh perioda Choson] [Tekst] / Ko Yonkhi. Seul: Tol'pehge, 2007. 
 5. Khan Chzhonkhi. Khangukkva chunguk khvekhva: [Korejskaya i kitajskaya zhivopis'] [Tekst] / Khan Chzhonkhi. Seul: Khakkochzhe, 1999.

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